Sunday, September 15, 2013

A day in the Saloon


Since most of our team have either left for home or new projects in the studio i took a few snaps the other day in the saloon. We have a few seqs left to be animated in house , Sean McCarron and Sandra Anderson  will continue until the end of next month with myself and Fabian hopefully getting to animate a couple of scenes too. We have an amazing group of interns from Viborg in Denmark helping out too , doing clean up and some animation, without Clara, Anne Katrine , Edith and Dionysus I dont know how we would have managed it. We have been lucky as well to have Galway girl Grainne Fordham helping out too. 

Ciaran Duffy continues to work on some remaining key bgs and checking the clean line bgs from Luxembourg , Adrien is kept busy with the final colour bgs and helping me check the compositing as it arrives in.
And luckily Alice Dieudonne has been able to continue her work on the watercolour seqs from Japan ;-) 

Anyway here are some snaps -
Marion Roussel finished up this week and headed home to France she did amazingly spirited and beautifully drawn work on posing and animation. During the production she decorated her desk with funny gag drawings from some scenes she worked on - 


Then theres our intrepid efx supervisor Jeremy Purcell who is still keeping an eye on things with Mark Mullery doing a lot of the prop and vehicle animation in Anime Studio .

Heres clara cleaning up a scene in tvpaint -

And heres Anne Katrine-

And Dionysus -

And last but not least Edith -

Big thanks to you all!!!

Heres Walter working on one of the last scenes he animated on Song , he will be going back onto Mooneboy soon so he will be continuing to animate to young David Rawles voice tracks for a while yet :-)

Heres Sean McCarron animating on the last sequences - these were ones I was boarding when we both visited Norlum during early preproduction to discuss how we would manage working with Tvpaint to produce the quality needed in the time we had to do it in. Solutions discussed then are really coming into play now - I don't think we could have pulled it off in the same timeframe on paper to the same standard. At the time Sean volunteered to animate the underwater scenes I was boarding - and now he's finally onto them .

Colour sketches by Lily Bernard who is now hard at work designing the world of Puffin Rock - these scenes are actually already almost complete in composit - hard to believe really -

A concept painting by Ross Stewart from about two years ago - Ross is codirecting with me on the section of "The Prophet" feature film at the moment. 

A painting by Amelie Flechais on my much neglected animation disk..





A trip to Digital Graphics in Liege , Belgium.

J

Digital Graphics is located in a beautiful old red brick farmhouse in Wallonia. 


 

Sfx Maestro Jeremy Purcell lays out his plans to build up an entire stormy sea from a hand animated library of waves , splashes and foam combined with cg water and watercolour textures applied to the tvpaint animation at compositing .


Sometimes the "painters palette "used for digital ink and paint can look quite strange. Here we see ben in an uncharacteristic shade of pink. 

And ferry dan is a bit off colour looking here too - but all will be well on screen in the final output. The crazy colours help the ink and paint team tell where two subtly different colours overlap .


Damien shows us a scene of grannys car leaving the ferry kicking up a load of smoke. The smoke is designed like several charcoally smudges with lighter chalk lines drawn inside which is then animated with a particle system .


I took these iphone snaps last week when we visited Digital Graphics in Liege who are responsible for all the ink and paint, texturing ,compositing and cg efx in our film. 

Serge Ume and his team are old friends by now and its always a pleasure to visit their beautiful studio. The compositing we saw of a couple of early scenes was exciting and rewarding to see , all the work of the past year comes together at this stage. 

Even though we still have some major sequences to animate I feel like we are entering the final stretch of the visuals. 

The brainy folks in dg have developed some impressive new tools for ink and paint that mean they are basically painting scenes as fast as we can deliver clean up drawings... Its kind of amazing that just five people can handle all the ink and paint for the whole film.

The sequences that use the rougher pencil look and watercolour style are coming together well too , we are benefiting from techniques that digital graphics pioneered on the lovely film - "Ernest and Celestine."

Our hand drawn and anime studio efx supervisor Jeremy Purcell came over and  went thru the plans for the stormy sea sequences which combine a number of handdrawn elements with an anime studio boat and dg water efx. 

Adrien and I were happy to see the characters beautifully matched to the bgs painted in Luxembourg and Kilkenny and our Cartoon Saloon production manager Katja Schumann who is also an accomplished compositor herself came to get her head around the process dg uses in order to best prepare for the final seqs deliveries and to help iron out any last problems.

As usual many belgian frites , 
beers and chocolates were consumed and we arrived home happy and looking forward to seeing all the past years work coming together over the next few months.


Serge Ume , studio head , compositor ,coproducer, architect and Ink and Paint artist at work .
 
Two of our Belgian comrades discuss how rain falling on some Irish nettles should effect the leaves , they have developed a "plip plop" library of rain drop animations for such scenes.

Friday, September 6, 2013

A visit from the stars


We were honoured to show our lead voice actors around recently - young David Rawle snuck a day in between shooting Mooneboy and heading back to school to visit and see how the film is shaping up.











A Lucy O'Connell dropped by with her mum too , she watched the whole animatic and seems happy with the progress o far - phew!


Finally art director Adrien Merigeau and an "away team" of Salooners visited the Saltee islands recently on a follow up research trip to our previous ones.
Amazingly Saoirse herself was there in her seal-form to greet them.












Friday, August 23, 2013

Time flies ....

Hard to believe we are nearing the end of animation production in Kilkenny. A lot of the team are finishing in the next weeks and some have already left us , either for other projects or to go home . As a small thank you and celebration of their efforts we had a fancy dress party on wednesday night with most of the remaining kilkenny crew. Some great creativity in the costumes!

Right now Im in Noerlum studios in Denmark with the very talented crew here. They have been turning out some really great animation - Its a pleasure to see it all coming together...












Sunday, June 23, 2013

Digital graphics

Just a post to show you all the wonderful crew in digital graphics who are just getting started on all the ink and paint, compositing and cg efx for our film...it's exciting to start seeing the bgs, characters and sfx all combined and integrated by this talented team..

Monday, June 17, 2013

Screen Daily coverage of annecy presentation

http://www.screendaily.com/news/moore-unveils-song-of-the-sea-footage/5057432.article?blocktitle=Latest-News&contentID=1846#

Tomm Moore unveils extensive footage from Song of the Sea

Feature scheduled for delivery in the second half of 2014.
Award-winning Irish director Tomm Moore unveiled extensive footage from his upcoming feature Song of the Sea at a Work in Progress session of the Annecy Animation Film Festival on Friday (June 14).
Like Moore’s previous film - Oscar-nominated The Secret of Kells - the picture takes inspiration from Irish folklore, centring on the legend of the Selkies, mythological creatures that are part seal, part human.
The storyline revolves around brother and sister Ben and Saoirse, who are forced to leave their coastal home to live with their grandmother in the city following their mother’s mysterious disappearance.
When they decide to runaway and return home by sea, the voyage takes an unexpected turn - leading them into a fantastical marine world - where it becomes clear there is more to Ben’s silent sister Saoirse than meets the eye.
The $7.5m (€5.6m) film is a five-way co-production between Moore’s Kilkenny-based Cartoon Saloon, Belgian The Big Farm, Luxembourg’s Melusine Productions, Paris-based Superprod and Danish Norlum.
Moore said the film would be ready for delivery in the second-half of 2014, and potentially a Toronto launch. The English-language voiceover - featuring David Rawle, the young star of Sky’s series Moone Boy, alongside rising star Lisa Hannigan, Fionnula Flanagan and Jon Kenny - was recorded last November.
A sales company has yet to be set for the film. The Secret of Kells was sold by Celluloid Dreams.
However, the feature has already been pre-bought by Haut et Court for France and StudioCanal for the UK and Ireland, in a deal done back in 2011 under the Optimum banner. The latter also released The Secret of Kells.
Moore has set the film against the backdrop of late 1980s Ireland.
“I wanted to capture the old Ireland before the whole Celtic Tiger thing started… it’s actually set in 1987. I always describe the film as a melancholy, musical comedy… the melancholy part is that little bit of nostalgia.”
He explained that films as diverse as Mike Newell’s Into the West, Hiyao Miyazaki’s My Neighbour Totoro, and The Jungle Book as well as Irish poet Y.B. Yeats and modern-day shanachie, or traditional Irish story-teller, Eddie Lenihan had acted as references for the work.
Moore developed the script with Irish screenwriter Will Collins, whose previous credits include My Brothers.
Moore said: “The Irish Film Board, which is supporting the film, was keen for us to use an Irish writer and suggested some names.
“I met a lot of really good writers and creative people but then Will sent me a rather strange email in which he said he had just written a script set in 1987, loved Totoro and wanted to work on an animation film.”
“My wife was convinced he had been going through our trash,” he added with a laugh.
The director dug into six years’ worth of development artwork for the Annecy presentation. On the basis of the material shown on Friday, the animation promises to be even more sumptuous and detailed than that of The Secret of Kells.
French artistic director Adrien Merigeau showed extensive examples of the work he had done for the backgrounds, revealing how he had captured the plunging cliffs and rolling landscapes of Ireland’s West Coast with intricate detail for the film.
The artwork and rough footage met with an enthusiastic response from the audience who gave it long and loud applause.
“You’re positive response is really appreciated. Until now we have not shown this stuff to anyone apart from the pupils of my wife, who is a schoolteacher. It encourages us to push on,” said Moore.

Sunday, June 16, 2013

Annecy

A lovely couple of days in annecy . We made some new friends and met up with some old ones again .
It was a full house for our presentation and many people were not able to get in.
Our presentation went well even though we planned to show much more artwork but we just ran out if time.
The feedback has been encouraging and motivating for us as we head back home to continue with the production.
Big thanks to dmitri and jeromine and everyone in annecy for inviting us.



We will give the same presentation at the ideate event in kilkenny in a couple of weeks so hopefully we can show everything then.

Just added some new photos from our facebook page.